The world did not want to see Belmondo, Jean-Paul Belmondo was no longer an old man...

The whole world knows him!

Belmondo himself made the box office of the Parisian theaters. And was his theatrical performance really important?

The whole world dreamed of seeing a live Belmodno! He was, perhaps, the leader in this regard.

To see him alive and standing next to him. Here is happiness! When I found myself in Paris in 1997, I was not lucky with this.

And some were lucky and they watched their favorite movies, which were shot only for them and a few hundred more lucky people.

Belmondo is not dead! He just went to the helicopter...

He did not hide his old age. And this was also a special aesthetic. She gave people optimism.

Old Jean-Paul also had a surprisingly charming face! And that's fine!

We were right that we went to see a live Belmondo in Paris not for the sake of theatrical aesthetics, but for the sake of the zoo effect - to see a Live, not a living eternal movie mummy.

Belmondo realized in his interviews that there is a zoo effect around him - to see a live one!

No one in the world wanted to see old Belmondo in a movie. That is why the last film with his participation had a low rating. The world loved Belmondo so much that it did not want to see him as an old man in the movies!

Most theaters in Moscow only rely on film actors. This is degradation. I once talked about this in "Arguments of the Week" with Mark Zakharov about Lenkom and other theaters.

True theaters in the regions. Actors in the regions are not vain and without megalomania. This is a real Russian theater. And Moscow is the effect of a zoo in the theater. To see a live thoroughbred horse without a harness or a movie actor Zbruev in Lenkom is the same thing!